Last time we
were on our way to rendezvous with Seymour at Old Meme Temple when Tromell
showed up to isolate Yuna from her guardians for reasons that were, I am sure,
perfectly scrupulous. However, Kidnapping Attempt A was immediately countered
by Kidnapping Attempt B from an Al Bhed motorcycle gang. Everybody jumps into
the fray like it’s Christmas 1983 and Yuna is the last Cabbage Patch doll.
(Incidentally,
Cabbage Patch Yuna would be the cutest
thing.)
Eh, it’s an
RPG. I’m sure they’ll be fine until the protagonist gets there.
Tromell
tries to take advantage of the guardians distracting the Al Bhed to sneak out
of there, but Yuna wrenches away from him and runs to join her friends in the
fight.
I cannot
stand the cute of these two buddies standing so close together in solidarity. I
wonder if Tidus remembers Brother, and knows what’s at stake for Rikku here.
“I will tell Father!”“Yuna is safe! We will guard her! She is safe!”“You do this alone, sister!”
This is how
much Rikku cares about Yuna. She’s already a member of a marginalized group,
but she’s willing to travel with a group of people to whom she is an outsider,
keeping her identity a secret to avoid trouble for them. Now she’s choosing to
side with those people against her own family and allies just to stay close to
Yuna.
Even if
declaring her intention to do this blows her cover.
These two
get into the age-old argument of belief vs. proof.
Here we
learn that the Al Bhed, while non-Yevonites, are not anti-Yevon. They are just not content to simply follow the
teachings without questioning them, and that is more likely the reason they
were persecuted rather than their use of machina.
(Remember,
as long as people follow the teachings and remain in fear of Sin, Yevon remains
in power, so it’s actually in Yevon’s best interest that things remain the same,
the cycle of summoner sacrifices goes on, and Sin remains eternal. So far we’ve
seen that anyone who hasn’t followed the teachings has ended up ostracized, as
the Al Bhed are, converted, as the Guado and Ronso were, or destroyed, as the
Crusaders were. It’s likely only because of the discretion of his friends and
his connection to a summoner, as well as his handy “Sin’s toxin” excuse that
Tidus hasn’t gotten into serious trouble for his taboo-breaking yet. If they’d
just turned him loose in Luca as was the plan, he probably would have ended up
in jail.)
While they
don’t have an explanation for Sin either, they are taking action against it,
which is more than Yevon is doing. Waiting until everyone atones could take
generations, if it ever happens, and people are dying now.
Auron, impatient
to get this show on the road, extracts Rikku from the argument to ask if she
can fix the snowmobile.
She sounds
like she has her tongue firmly in her cheek when she says this. But clearly, he
doesn’t know much about the Al Bhed, considering he’s been spending time with
one for several days at least and never noticed. He storms off to walk to the
temple by himself, for which Rikku apologizes.
Lulu, who saw how guilty and ashamed she looked when confessing her identity, quickly
reassures her that she has no reason to blame herself for that.
Then it’s
snowmobile time!
I dunno
Waffles he seems to be doing okay. I like how Lulu doesn’t even get out of the
way. Yeah just try to run me over, Mr. Blue. I dare you.
Waffles gets
to ride with his current bff, assuming it’s not Yuna or Wakka. (There’s not much
of a reward for befriending either of them, which is sad, considering that
story-wise they seem to be his closest friends. You’d think the game would
reward you for building a relationship with Yuna, at least.) You can also take
this opportunity to stack the deck in favor of several ships by arranging who
gets to ride with whom. ;) I love how disappointed Tidus looks if the two
ladies drive off together, leaving him with Kimahri or Auron.
I ended up
with Rikku but here are links to the rest of them.
With Lulu. (I could only find this in
the remastered version for some reason. I guess it’s the one most people
usually end up with so nobody recorded it separately from their LP. Waffles is
EXTREMELY UNSUBTLE about Jecht being Sin here but Lulu doesn’t press the issue.)
Touching on
Kimahri’s conversation briefly, he mentions that he can tell Rikku is not a
liar. He also says earlier of Biran and Yenke that “Ronso do not lie.” It would
seem that Ronso are able to detect honesty, which explains why he is so
distrustful of Seymour. He can already detect that his motives are shady!
Adding to the list of Things
Kimahri Already Knows, But Isn’t Telling Anyone. He’s even worse than Auron
about this. ;) I love how unusually gentle his voice is during this
conversation too. (He has to be pretty fond of Tidus for you to get this scene,
after all.) This is probably what he sounds like when he’s talking to Yuna. :)
Like several
other people in this game (but notably Yuna), Rikku puts on a smile to hide her
sadness. Did she learn this trick from Yuna too, I wonder? (Most likely.)
Even though she's the one protecting her, Rikku looks up to Yuna. The way that she hopes others perceive her as being like her cousin is really endearing. (And a little bit sad.) She's fifteen and uncomfortable with herself, trying to find her place in her new band of friends, and looking to the other girls in the party for guidance. At different times she mentions a wish to emulate both Yuna, who is beloved, and Lulu, who is respected and mature. But several other people express the opinion that they like her the way she is, and that she should remain true to herself.
So, does
Rikku know that Tidus doesn’t know what happens to summoners? It sounds here
like she’s testing the waters to see how much he’s been told since she saw him
last. I think she realizes that he doesn’t, because she deliberately avoids
telling him when she has to clarify what she means by “sacrifice.” It hurts to
hear him ignorantly support the very thing she’s fighting so hard to prevent, and
even more to remind herself that really, it’s what Yuna wants.
Macalania is
my favorite temple. I love ice-themed areas.
At the door
we are stopped by a monk, who, unlike Wakka, is able to recognize an Al Bhed on
sight. As we’ll see when I start picking up more of the Jecht Spheres, Auron
was frequently (and rightfully) critical of Braska’s other guardian, but in the
end Jecht, for all his faults, was sincere, and more importantly, he was the
one who volunteered to give his life for Braska to defeat Sin. The experience
has made him more willing to accept that guardians can come from unlikely
places. And, knowing what he does about Yevon, he might welcome the outside
perspective the two non-Yevonites are bringing to the team.
“Relax, man.
It’s not like we’re going to kill the maester and upend the government or
anything.”
Facebook
relationship status: It’s complicated.
But look at
this setup. As far as Seymour knows, Yuna has not yet accepted his proposal,
but he’s got a wedding already in the works. There’s musicians and guests and a
party going on and everything, and this had to have already gotten started
before Tromell got back with Yuna. News of the engagement was spread all over
Spira before Yuna had made up her mind. And he made her come all the way out
here to deliver her response, so she’d have to run the gauntlet of all these
happy, expectant people with their hearts set on a wedding if she intended to
say no. When he said “I await your favorable reply,” he wasn’t leaving her with
a choice.
On a side
note, I never got to notice how cute Shelinda is before I started playing on an
emulator.
I mean
really just look at this place. I love the floor and the flower petal
fountains.
Noooooooooooooo.
Okay well.
The Guado are kind of treelike so I can imagine him having a kind of woodsy or
floral natural scent, or maybe he’s just into fancy perfumes, but I had to
conjecture that on my own. It is not stated anywhere; all the game is telling
me is that this little girl knows what Seymour personally smells like. O.o
I like how
this drunken reveler in the temple is the compendium of Seymour knowledge.
Somehow I can’t picture Tidus patiently sitting through all of this. But he gives
us an abbreviated, Disneyfied history of his life, telling of how his mixed
heritage caused him grief as a child but now he aspires to “bring the Guado and
humans together in friendship,” how he became a monk at the temple after Jyscal
was ordained a Maester at the beginning of Braska’s Calm, how he rose to his
high position on his own, and how, although he is a peerless summoner, he has
never undertaken the pilgrimage.
It seems
there’s a tidied-up propaganda version of Seymour’s story being passed around
to the public, and this guy, who claims to have guarded Seymour since he was a
“wee lad,” is knowingly lying, because several of these details are false. He
omits the fact that Seymour spent his childhood in exile at Baaj Temple,
because his presence was a constant reminder of his father’s indiscretion and a
potential source of strife between humans and the Guado. The exile was not
revoked until after Jyscal had improved relations between the two races by
converting the Guado to Yevon, (although we never do find out if the Guado put
up resistance to having their old way of life subjugated by the church) and
Seymour was summoned back to Guadosalam to become a priest. He was eighteen
when this happened, so nobody was
protecting him for the remainder of his childhood after his mother became a
fayth, let alone this human guy. And, significantly, he does not mention that
Seymour actually did complete the pilgrimage. It could be that his followers
are keeping it a secret, but I think it’s more likely that most people, apart
from possibly the inner circle of Yevon (and anyone whom Seymour and his mother
may have met 18 years ago while they were on the pilgrimage, taking into
account that summoners tend to create a stir wherever they go) don’t know about
it.
I do wonder
why no one seems to question his scary, ultra-powerful aeon that no one has ever
seen before and clearly does not belong to any of the known temples, especially
since the other Maesters, who may know the secret behind the Final Summoning –
Mika almost certainly does, at least – must have figured out where she came
from and that she is a Final Aeon not being used for its intended purpose. It
seems strange that he’d be able to rise to the position of Maester having
obviously forsaken his most essential duty as a summoner, but, as I have
mentioned before, Yevon is deeply messed up and actually very interested in
keeping Sin alive, so they were probably not much bothered by his breaking
tradition, as long as people don’t know about his pilgrimage. They even might
have feared such a powerful summoner attempting to defeat Sin, just in case he
somehow managed to defeat it permanently. It’s even possible that his powerful
aeon, as proof of his strength as a summoner, was what made him an attractive
prospect as a Maester. Yevon has a history of assimilating its opponents, and
better to have that kind of power working for Yevon than against it.
The party
atmosphere takes a nosedive when a nun who was apparently snooping through
Yuna’s stuff finds Jyscal’s sphere. (For something so imperatively secret she
really does not keep track of that thing very well. Maybe you’re not allowed to
take any extraneous spheres into the Cloister of Trials, I dunno. But if she
was intending to confront Seymour with it you’d think she might have brought it
with her.)
I’ve
wondered in what way Seymour killed his father that gave him time to record
this message. My guess is a slow-acting poison or repeated small doses of one
accumulating over a long period of time.
Also, it’s
possible that Jyscal was speaking figuratively, but does this suggest that the
Maesters, or maybe the Guado, can intuit the thoughts and feelings of others?
Perhaps they are simply very good at reading people. (Seymour seems pretty
surprised by some things that Yuna does later, after all.)
“This day
just keeps getting better and better.”
I like how
Auron’s the one leading the “Let’s go save Yuna, again” charge this time. He
may be gruff with her (and pushing her towards an inevitable death), but he does care, and he seems to have a better sense
than the others do of the kind of danger she’s in. Auron, Tidus, and Kimahri
have all expressed distrust of Seymour, but of the three of them Auron has also
guessed with the most accuracy what Yuna plans to do, so he has an idea of how
this is going to go. (Not well.)
If you stick
around and try to talk to this cat it gets annoyed and runs away from you,
probably skittish of being trodden on by Waffles’s outrageous footwear.
This guy was
up near the door earlier. Kimahri straight up tossed a monk down the stairs and
we didn’t get to see it.
This is, in
fact, his plan.
It’s a lot
easier for Lulu to say “Hell with Seymour!” than it is for Wakka. For her, it’s
simply a matter of choosing whether to side with Yevon or with Yuna, and she is
on Team Yuna until the very end of the world. I noted earlier that she is
faithful to the teachings, but she isn’t as devout as Wakka is. This doesn’t
mean that he doesn’t care about Yuna, just that he’s having a more difficult
crisis of faith here. For him, Yevon is
Spira, it is home and hope and security, and turning against a maester will
mean turning against all of that.
I guess he
does not know about Waffles’s proud history of creating a ruckus outside the
Chamber of the Fayth while Yuna is trying to pray. You can’t see them in most
of these pictures, but Seymour’s two bodyguards are here the entire time, so
Yuna was at an even greater disadvantage from the start.
On a side note I like the way the shape of his hair echoes the shape of the arch over the doorframe there heehee.
On a side note I like the way the shape of his hair echoes the shape of the arch over the doorframe there heehee.
Seymour may
be the best negotiator but Waffles is clearly the master of the witty repartee.
Just give up now, Seymour.
Also amazing: that the framing of this shot is underneath his antlers.
Also amazing: that the framing of this shot is underneath his antlers.
This face
hahaha. There is too much sass in this temple right now.
Shiva was apparently the most accommodating of the aeons because presently the door opens and Yuna emerges, much steadier and less exhausted than usual. I like to think that her fayth was aware that something was about to go down outside and was quick to pledge her support. Yuna, however, is dismayed that her friends have put themselves in danger for her sake.
You have to love how honest Seymour is about all of his shadery. He doesn’t call attention to it but he doesn’t try to hide it either, and when people accuse him of being less than an exemplary fugleman for everyone he is just like “So what?” Because he knows that Yevon is actually a festering morass of treachery, corruption, and death, so he is behaving as a true representative of the church.
For a
fleeting moment he looks genuinely pained when she says this, but then, like some others we could mention, covers it up before facing them and resuming his
usual sarcasm. He still had a faint hope that she’d really take his side, in
spite of everything.
But when he
holds out his hand to her, she backs away and rejoins her friends, drawing the
battle lines. There's another very subtle change in emotion readable on his face before he steadies it. You can see his expression very briefly flicker to anger and menace before smoothing again.
The irony
dripping from his voice when he says this makes it clear what he thinks of the
Code of the Guardian. He only had one, and she made the ultimate guardian’s
sacrifice for him, from which he never really recovered. With the exception of
Auron, none of them know what is really
going to be asked of them as guardians, and he has evident contempt – maybe a
bit of pity – for their ignorance.
Maester
Seymour is: Lord of the Dance!
“I will fight you, too!”
“Now let it be war upon you both!”
Stop trying to girlfriend-zone her, Seymour. It’s not going to happen. In fact I’m pretty sure you were just . . . maester-zoned.
Stop trying to girlfriend-zone her, Seymour. It’s not going to happen. In fact I’m pretty sure you were just . . . maester-zoned.
Epic sass
battle commencing.
I love how his
best insult to Seymour is frequently his
own name. When a guy named Waffles thinks you have a dorky name, you are in
trouble.
Actually
both characters in the main lineup who have standard, if somewhat uncommon,
English-language names both ended up with really goofy names unsuited to the
seriousness of their characters. (But well-suited to a four-year-old or
possibly a mop dog, and the nerdy guy from Little
Shop of Horrors, respectively.)
If you try
to have Wakka talk to him, making a last-ditch attempt to smooth things over
before they really get ugly, Seymour is literally just like “. . .”
I have
really fond memories of this battle. I was stuck on it for a long time for some
reason (I think his multi-blizzara etc. spells were giving me trouble or
something) so a friend of mine who had played the game before had me bring over
my memory card and he talked me through it and everybody watched and cheered
when we finally beat him. I still remember and use the strategy he taught me.
What the
heck is a Shremedy? I’ve never seen this before. Is it some kind of status effect
bomb mushroom native to Guadosalam? It didn’t do anything when it hit Auron.
Uh oh.
Seymour finally meets a nice girl and brings her home to meet his parents and this is what happens.
Shiva has
the prettiest summoning sequence. There’s some similarities in the way other
summoners call aeons but Yuna’s have these little flourishes. Probably just to
be economical with time and animation, but I like that the way she pets Valefor
and Yojimbo’s dog and sits on Ifrit’s shoulder suggests a more personal,
friendly bond with her aeons than some summoners have.
And then
there’s Shiva. “Here, love, catch!”
She shares a name with the Hindu god, but there is very little similarity between them (the Hindu Shiva is neither female nor associated with ice, although he is sometimes blue) so I wonder if there is some false etymology here.
She shares a name with the Hindu god, but there is very little similarity between them (the Hindu Shiva is neither female nor associated with ice, although he is sometimes blue) so I wonder if there is some false etymology here.
“DO YOU WANT
TO BUILD A SNOWMAN??”
I like how
Seymour’s battle stance involves him continually flipping his bangs out of the
way. First time I’ve seen a Final Fantasy character suggest that their hairdo
is impractical for daily life.
Shouldn’t he
already have Shiva? Considering he’s already been on a complete pilgrimage and
is the high priest of this exact temple. Unless by that power he means Yuna,
but it’s not like she’s the one who’s going to become an aeon.
Amusingly,
the game doesn’t force you to summon another aeon if Shiva gets defeated (or
even summon her at all) so you can actually mop up the rest of the battle with
regular characters and he’ll still say this. I’m pretty sure that I’ve had the
“power that defeated Anima” comment directed at Auron before.
I replayed
it again to get caps of Anima’s HOLY FLUFFING TERRIFYING overdrive, Oblivion.
The dramatic
blood-filtered pov shot of the ceiling lets us know he’s really dying.
She may not
love him, but she does have empathy and compassion for him.
Seymour’s
last living act is to arrange his corpse in the most theatrical fashion
possible. That is true commitment to drama. I feel like there’s some symbolism
being invoked here but I can’t quite figure out what it is. ;) (This is one of my favorite shots in the game.)
Okay so when
I made the Lord of the Dance comment earlier I was drawing from my memory of
having seen the Riverdance show on PBS as a kid (and, more importantly, the MST3K parody) and I had
no idea until I looked it up just recently that the song it’s based on is
actually about Jesus. This just got 10x funnier.
So I
mentioned a long time ago that Yuna’s not the only person carrying around
Messiah symbolism. The trope is spread out among three characters like a holy
trinity. Yuna heals others, walks on water, sends the dead to rest, and is
prepared to die for the sins of mankind. Seymour dies in a crucifix pose and
then later rises from the dead, believing he is going to be the savior of
Spira. But in the end, the one who sacrifices himself and takes away the sins
of the world is Tidus.
I would have
liked if they had developed Seymour’s false messiah/antichrist plot arc a
little more and had him break away from Yevon and start gathering a cult
following preaching his perspective of Sin worship and redemption through
death, but after he resurrects himself he kind of just goes off alone with his
crazy. It would have been interesting to see more conflict between Yevon and
Seymour (with Team Yuna caught in the middle) once he goes off the rails.
*adds to
file of AU Fanfics I Don’t Have Time to Write*
Before Yuna
can send Seymour and solve a lot of future problems, Tromell’s attendants drag
him away. The Guado likely have their own pre-Yevon funeral rites that they
prefer to adhere to, especially since Seymour was their only summoner, but the
way they are so possessive of his dead body always came across to me as a
little sinister and disturbing. Like they had some plan for it. I really was
not surprised to see him still around later. (And that was even before I
learned how common unsent are.)
The enormity
of what she’s done, and its possible consequences, only just now sinks in. At
best, she’ll be excommunicated from Yevon and, as far as she knows, unable to
continue her pilgrimage. At worst, they’ll all be caught and executed for
treason, and she’ll hold herself responsible, because it was her idea to
confront Seymour in the first place.
Yeah we’ll
see how well your “Seymour is a bad guy,” defense flies in court, Waffles.
The first
good idea anybody has had all day.
I wonder if
the version I’m playing now is different than the one I own for PS2 because I’m
used to getting a Black Magic Sphere here too. This is the first time I’ve
noticed a difference.
My friend
was still coaching me during my first playthrough and he told me to use that to
teach Fira to Yuna. We ran outside the temple and tried it out in the first
battle and I was like “!!!!!!” and he was like “Yeah, Yuna turns into a freaking cannon.” To this day I remember
it as one of the best moments of my gaming career.
“Snow Queen”
wouldn’t fit, alas.
This is a
very fitting ability for Lulu.
You thought
you could get out of here without a sphere puzzle? Haha. Somehow the police
never catch up with us in the time it takes us to figure it out. Maybe they
thought we’d just get stuck in here forever.
Whatever you
do, don’t step on this after you’ve
rebuilt the bridge. You will have to do it all over again and you will be sad.
(Not that I’m speaking from experience, or anything . . .)
Tromell and
the Guado guards are patiently waiting outside to take us into custody. Some of
the more optimistic members of our party are still holding on to the idea that
if we can just explain the truth to everyone, everything will be okay.
Not so. We're starting to learn that the people in power aren't concerned so much with "the truth" as "what keeps people from asking too many questions."
(Also haha
wow look at this Lingerie Model Yunalesca statue they have here. That’s one way
to get people to come to prayer.)
Everybody
finally decides to take Auron’s advice and just get the heck out of here,
knocking over the guards as they go.
Some time
ago on tumblr I suggested that save spheres, the sphere grid, and other more
mechanical, esoteric aspects of the game might not actually exist in the real
world of Spira but it was pointed out to me that you do see other people
interacting with save spheres. And sure enough, here’s O’aka using one to
teleport. I assume they are some kind of Al Bhed invention, (since everything
that defies explanation in this game can usually be handwaved as either
“mysterious pyreflies” or “wacky Al Bhed science”) and therefore people are
reluctant to use them because you’d think if a civilization had something as
handy as TELEPORTERS they’d get more use out of them.
During these
fights, the Guado appear to conjure fiends out of thin air, maybe forcing the
ambient pyreflies to manifest. They may be new to Yevon, but this would suggest
that the Guado have some inherent skill at summoning or pyrefly manipulation,
which could explain Seymour’s prodigious strength as a summoner.
They look so
cold. :( (And one of the stages of hypothermia is confusion, haha.) I like the way their hair and clothes fly around in the wind in this
area though. It’s a nice touch.
The Guado
finally catch up with us, along with this grumpy guy. In Algonquian and
Canadian folklore, a wendigo is a human transformed into a perpetually-ravenous
monster after indulging in cannibalism. They are associated with winter,
hardship, famine, and starvation. In some versions of the myth they grow to be
giants, always hungry, which is the portrayal of them that often appears
in fiction. (Including here.)
He’s a sore
loser, too. Deprived of the opportunity to eat the delicious-looking party, he
smashes the thick sheet of ice covering the lake and plunges them all into the
frigid water to drown horribly.
Just kidding
they’re all fine.
The
structure of this lake makes no sense. There’s a solid crust of ice up top,
then some kind of gigantic air bubble containing the ruins of a sunken city,
and then only like a foot of water at the bottom. But the reason this region is
frozen is said to be the temple fayth, so I suppose Shiva can do what she wants
with her ice sculptures.
ADDENDUM: It was pointed out to me by a sharp-eyed Anon in the comments that they're actually all on top of Sin. I just assumed that the ruins were like the other sunken ruins we see throughout the game - off the Djose shore and underneath the Moonflow, etc - and didn't think much of there being old structures at the bottom of the lake. But I fiddled with the brightness settings on that screenshot and what I took for rocks and such actually appear to be Sin's fins and other bumpy bits. I'd never noticed this before!
ADDENDUM: It was pointed out to me by a sharp-eyed Anon in the comments that they're actually all on top of Sin. I just assumed that the ruins were like the other sunken ruins we see throughout the game - off the Djose shore and underneath the Moonflow, etc - and didn't think much of there being old structures at the bottom of the lake. But I fiddled with the brightness settings on that screenshot and what I took for rocks and such actually appear to be Sin's fins and other bumpy bits. I'd never noticed this before!
Compare to this screenshot we saw of him earlier in the game:
It still doesn't explain why there's such a huge gap between the water and the top of the lake but it does explain why it's so shallow where they are. Whether by accident or design, Sin caught them when they fell. Thanks, giant whale dad!
This also explains the CONSTANT SNORING SOUND you hear throughout the scene. It's Sin, peacefully snoozing to the Hymn of the Fayth.
It still doesn't explain why there's such a huge gap between the water and the top of the lake but it does explain why it's so shallow where they are. Whether by accident or design, Sin caught them when they fell. Thanks, giant whale dad!
This also explains the CONSTANT SNORING SOUND you hear throughout the scene. It's Sin, peacefully snoozing to the Hymn of the Fayth.
“I need to
make new business cards.”
“What now?”
Auron wonders, which upsets Waffles, who has always looked to him as the party
leader even when he was reluctant to follow him. If Auron doesn’t know what to
do next, they must really be in trouble.
But Auron
doesn’t see himself as the leader. He has been letting Yuna make her own
decisions, as long as she remains committed to her pilgrimage, even when he
doesn’t approve. I don’t think he’s comfortable having everyone else defer to
his seniority.
“But you can’t expect someone to protect you all the time. You would do well to remember that.”
The person
he’d really like to say this to is Yuna, but he probably can’t do it without
upsetting her or making her closer guardians defensive. She tried to handle her
Seymour problems on her own, without the support of her friends, and now
they’re all at the bottom of a lake.
I’m pretty
sure it’s just Yuna. Sweet, mild, sunny Yuna, walking disaster.
Wakka is
taking this the hardest because Yevon was such a major part of his identity. He
shakes his fist angrily at Rikku, lashing out at the nearest culpable target,
even though it’s not her fault. She’s just been along for the ride during the
whole bachelor party debacle, but, we’ve seen before, he’s looking for a way to
rationalize what happened, even if it doesn’t make sense. Maybe if we hadn’t let an Al Bhed lead us astray from Yevon, this
wouldn’t have happened.
It’s nice
that you found time for a relaxing nap, Yuna.
I like how
he softens “blaming you for the fact that we’ve been outcast from society” to
“in shock” for her benefit.
And then she
makes this gesture to convey exactly how
she hopes to grow up to be like Lulu. (Although from this conversation and
other ones we can see that she admires Lulu’s maturity and self-possession as
well.) Waffles, realizing he has entered dangerous territory, tries to talk to
Kimahri instead.
Kimahri
knows Lulu well enough to know that he doesn’t want two of them around. I like
to think that he enjoys Rikku’s honesty and cheerfulness, even if he doesn’t
show it, and more importantly, the uplifting influence she has on Yuna.
(Meanwhile,
the commotion they’re making wakes up Yuna.)
“I wanted to convince him to turn himself in to Yevon’s judgment.”
Something
about the way she says this makes this small line come across as chilling. The
little hesitation in “He didn’t . . . say
anything.” What did he do, then? Smirk at her disconcertingly? Indulge in an
evil laugh? And then he accompanied her to the Chamber of the Fayth like it was
no big deal.
Auron has
wasted enough of his own time on regrets. Now he’s concerned that the trouble
caused by Yuna’s dealings with Seymour – which he did not support in the first
place, especially the fact that she insisted on keeping it to herself – is going to make her pilgrimage difficult to complete if they have become enemies
of the government. But not impossible, as the others have been fearing.
Yuna’s father was cast out of Yevon as a heretic for marrying an Al Bhed woman (and possibly, for trying to further peace with the Al Bhed rather than simply converting them.) Seymour was also an outcast when he made his pilgrimage. Lady Yocun, the High Summoner before Braska, was a Crusader. Lady Yunalesca herself was an enemy of Bevelle. History doesn’t remember them that way, but some of the best summoners have come from outside Yevon.
Interesting
that the two non-Yevonites react the most strongly to this. (Although it does
warrant a rare “!?” from Lulu.)
But the
general consensus among the devout is that we should all face the music and
turn ourselves in. Yuna still naively wants to believe that the people in
charge must be reasonable and just, because otherwise her lifelong faith in
Yevon will be in vain. Auron isn’t happy with this, but he agrees to come with
them.
A true
friend is one who sticks with you after you accidentally murder a high-ranking
government official.
During the
next round of conversations you can see Rikku running around to keep warm and
Yuna repeatedly wiping her runny nose.
Lulu, Wakka,
and Kimahri all comment that they can feel something amiss, but Kimahri says
that he senses no danger. Sin is nearby, but this time it isn’t hostile or
destructive, being drawn to and soothed by the Hymn of the Fayth.
And then we
eavesdrop on Waffles’s memories, haha. There’s some slight fourth wall breaking
here since Auron and Tidus talk over this like they can see the memory we’re
looking at too. A little while ago somebody on tumblr asked me how I think
Jecht and Tidus are able to know the Hymn of the Fayth, since there are no
fayth in Dream Zanarkand. I replied with this:
“If you
find Maechen near the end of the game (he’s hanging around Mt. Gagazet before
you go to defeat Sin), he tells you a bit about the history of the Hymn:
“Let me tell you about the Hymn of the Fayth. It was once a Zanarkand song, sung in defiance of Bevelle! Of course, the Yevon clergy of Bevelle forbade it. Then, as these things often go, those who disliked Yevon began to sing it. The Al Bhed, for instance. The Hymn of the Fayth became the symbol of defiance against Yevon. Yevon could do nothing but capitulate. They lifted the ban on the song, and spread a new story. They said the hymn was a song sung to soothe the souls of the dead. And so saying, they took the song and made it scripture. That’s why today, the hymn is sung all over Spira. You could say that, though Zanarkand is gone from this world, it lives on in the song.”
It’s
likely that the memory of it was preserved by the Zanarkand fayth in their dream
but stripped of its religious meaning, the way the prayer gesture became known
to Dream Zanarkanders as a blitzball gesture. They might just have known the
tune without knowing the words or their meaning.
Since
Jecht and Tidus’s Zanarkand is a dream of many fayth, I would guess that the
hymn could also be ambient in Dream Zanarkand, the way it is inside a temple in
proximity to the fayth. Maybe not everywhere, but with so many fayth singing it
could be that there are places in Dream Zanarkand where they could hear it.”
Some other people weighed in with their own opinions in the comments too, suggesting that it was originally secular but became imbued with religious meaning over the past millennium, or that it was even the Zanarkand anthem.
Mystery solved above. ;) He was there all along, but woke up when the singing stopped.
Also, this is all assuming that Sin is somehow able to travel between even isolated bodies of water – we’ve seen him in the ocean before, but he appears in the lake here and drops Tidus off in the Bikanel Island oasis.
I love Wakka and Rikku gravitating towards each other for reassurance during what they assume is going to be another Sin attack. He’s still antagonistic towards her, but over the next plot arc we see major development in his character as their relationship improves.
Everybody
gets hauled aboard Sin like the Magic School Bus and space-whaled off into the
unknown. Temporarily calmed by the Hymn of the Fayth, Jecht has enough control
of himself to try to communicate with Tidus through a hazy, dreamlike chain of
images.
We see
Mini-Waffles, and Tidus gently reminds his father that he’s older now, not the
child he remembers. I noticed that whenever we see Tidus from Jecht’s point of
view, he’s facing away from him, as though he can’t quite remember what he
looked like. :(
Next time: I
hope somebody packed some sunscreen.